Ozus Tokyo Story A thematic and cinematic analysis of post World War II Japan

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Yasujiro Ozu’s cinematic classic “Tokyo Story” portrays the
essentially divided nature of old and young individuals, even within the
same family, that existed in Japan during the immediate aftermath and
cultural shift that occurred as a result of that nation’s loss of World War
II.The film depicts a mother and a father who temporarily travel from the
rural, Japanese countryside and their old way of life to visit their urban
children in Tokyo during this period of Japanese history.The general
title of “Tokyo Story” suggests the generalized nature of the story in
modern Japan.The film was made in 1953 and depicts recent post-war Japan,
shortly after the peace treaty ending the ear and the reconstruction of the
Asian nationâ€"thus, it looks back on a recent period of history, not from
afar, but with a critical and often sorrowful eye as to what was recently
lost, and examines how recent events have taken turn for the worse in terms
The mother and father visit children whom are extremely ungrateful of
the sacrifices made by their parents for their welfare in.The children do
not reject their parents for coherent ideological reasons that directly
correlate to World War II.Rather, the children are show to feel, by and
larger, that they are too busy to get to know their aging parents any
better.Their contemporary, urban lifestyles do not mesh with their
parent’s slower rhythms and manners.The past filial sense of obligation
is dead in Japan, suggests the film. The sense of responsibility children
should feel for their parents is dead, and only sorrow is left behind.
However, certain connections between old and young, however tenuous
remain, at least in some form.The connection between mother-in-law and
daughter-in-law is one such connection.For instance, the mother of the
tale spends a night of emotional sharing and intimacy with the widow o…