Dante

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Dante’s use of allegory in the Inferno greatly varies from Plato’s “Allegory of the Cave” in purpose, symbolism, characters and mentors, and in attitude toward the world. An analysis of each of these elements in both allegories will provide an interesting comparison. Dante uses allegory to relate the sinner’s punishment to his sin, while Plato uses allegory to discuss ignorance and knowledge. Dante’s Inferno describes the descent through Hell from the upper level of the opportunists to the most evil, the treacherous, on the lowest level. His allegorical poem describes a hierarchy of evil. Conversely, Plato’s “Allegory of the Cave” describes the ascent from ignorance to knowledge, as one prisoner is freed to make his way up towards the opening of the cave and experiences sunlight, the unavoidable truth. Symbolism is an essential element of both works. In Plato’s allegory symbols are used to represent truth, ignorance, society and the fear of change. Truth is represented by the !
sun, while ignorance is represented by the cave, its limited vision and darkness within. The prisoners represent ignorant members of society who are content to believe that what they see is all that exists. Fear of change is represented by the prisoners angry reaction towards the freed, enlightened prisoner. Dante’s Inferno is a detailed description of sin and its relationship to degrees of punishment. As stated in the text, “…for the face was reversed on the neck, and they came on backwards, staring backwards at their loins for to look before them was forbidden.” (Ciardi, pg. 175) This quote describes the punishment for fortune tellers. In life the fortune tellers foresaw the future. In death they are doomed to exist with their heads on backwards and their eyes overflowing with tears so that not only could they not see what was happening in front of them, but they could not see at all due to these copious amounts of tears. Similarly, each sin had its own lo…

Dante

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Upon meeting Dante in the zone of the sodomites, Brunetto Latini tries to convince him that he should
follow the path to earthly fame and glory.This is an especially tempting proposition for Dante, whose role
models have achieved that goal.The danger is that this would become his sole aim, and he would lose sight of
what should be the highest of human goals, the union with God in heaven.
The main point of Brunetto’s argument is to try and convince Dante that he should pursue fame on earth
and do it by means of poetry, not politics.He tells Dante to follow his “star…to reach a glorious port
(line 55/6).”He also says that “Heaven so favors you [Dante] (line 59),” by which he implies that he is
destined for success on earth, during the “happy life (line 57).”He urges Dante to stay out of politics by
referring to the politicians of Florence as a “malignant, thankless rabble (line 61)” as well as “greedy, envious,
and proud (line 68).”He encourages Dante to “stay untainted by their habits (line 69),” thus encouraging him to
avoid politics at all costs.He, like Farinata degli Uberti, tells of Dante’s future exile, but unlike Farinata,
Brunetto assures Dante that he can still achieve earthly fame.Not only that, but Brunetto also implies a certain
obligation on Dante’s part, for “Heaven’s favor” is his.
Temptation for Dante becomes a factor when Brunetto begins mentioning honor.With the line “Your
destiny reserves for you such honor…. (line 70)” Brunetto tells Dante that he is destined to have honor/fame.
One must remember, however, that the use of the word “honor” in the Inferno was used the most in the
description of the inhabitants of Limbo.It was these inhabitants, especially Homer, Horace, Ovid, Lucan, and
Virgil, that Dante most admires and was very honored to be made one of (the poets, that is, not a member of