Feminist Criticism of Portia and Calpurnia.

Feminism aims to achieve rights and equality for women in social, political and economic elite. Feminists point to the fact that throughout history, power has been in the hands of men, hot in society and in the family. In the subordinate roles to California and Portia, Julius Caesar clearly reflects that patriarchal control, and feminists see the issue of unjust male power and control as crucial to understanding Rome. To a woman’s ear, the ear of a woman who has been aired more than once, as the historical Portia herself had been, the words of Brutes strike a familiar note.

The wife takes her husband by surprise: “What are you doing here? ” he asks, rather pup out as the Broken movement of his first line shows: “Portia! What mean you? Wherefore rise you now? ” (Act 2, Scene 2, line 234). AS a form of greeting this leaves something to be desired We see the wound that Portia gives herself as evidence that Podia has, ‘in her good Roman education’, learned the lessons designed for men: “When it comes to dies, there has been an tappets to educate both Brutes and Portia out Of tenderness and respect”.

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On the Other hand, the vividness Of Scaloppini’s description of her dream suggests that ‘she has never hand her mind trained to think like a man’. We see that Career’s contempt for Scaloppini’s dream is because the dream is produced not out of a book but out of her own woman’s body, like her voice. It is because Caesar only pays attention to the voices of other men that he will defy Scaloppini’s common sense and venture outside.

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