The Souls of Black Folk

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The Relationship of Dorcas and Felice
In the novel Jazz, written by Toni Morrison, the relationships formed among the characters highlight the idiosyncrasies of the characters themselves.Morrison created Felice in the novel to portray the negative side Dorcas to the reader and Joe to illustrate the nice side.The relationship of Dorcas and Felice is definitely one of the most important throughout the story.Felice serves sort of as "the middle-man" between Dorcas and Joe.She sees and understands each individual’s story because she knows both characters.She sees how well Joe treats Dorcas and how bad that Acton treats her.Later we find out that this relationship is an extremely ironic situation.Therefore, the relationship portrayed to the reader, is the personal identity of Dorcas and Joe through the character Felice.
The relationship of Dorcas and Felice begins with the fact that they are best friends.Felice knows Dorcas;s attitude throughout the whole story and, therefore, an important way that it is brought out to the reader is through Felice.Felice is best friends with Dorcas but she also knows her sly and insensitive ways of treating men.She takes Joe for granted and actually likes the indecent way that Acton treats her.She ends up treating Acton the kind and passionate way that Joe treated her.Dorcas said, ;he didn;t even care what I looked like.I could be anything, do anything-and it pleased him.Something about that made me mad; (190).She is referring to the way that Joe treated her who for some reason she didn;t like, but she liked how Acton treated her which was the exact opposite.Acton often tended to tell Dorcas what to do and how to act, which she didn;t mind at all.Dorcas explains, ;Acton, now, he tells me when he doesn;t like the way I fix my hair.Then I do it how he likes it.I never wear glasses when he is with me and I changed my …

The Souls of Black Folk

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Author: William Edward Burghardt Du Bois
Date of Publication: original publication 1903. Bantam Classic publication July 1989
W.E.B. Du Bois, born in 1868 in Massachusetts, was one of Americas loudest social activists, scholars, and writers. He went to school at Harvard and taught at Wilberforce University as well as Atlanta University for many years. He helped publish many extreme periodicals and eventually converted to communism. He died in Accra on August 27 1963.
The Souls of Black Folk, a collection of fourteen self contained stories by the extremist African-American scholar W.E.B. Du Bois written over 100 years ago, is a bleak and thought-invoking look at the lives of the former slaves following Emancipation. It addresses nearly all aspects of life, from religion to poverty to race relations, and how they were changed by the removal of slavery. Some papers take a more historical view while others are nearly in the form of short stories.
What makes The Souls of Black Folk one-of-a-kind is Du Bois’ overt unobjectivity and blatant socialist writing. He was African American and that gives him quite a different view from white historians of the time. He is sympathetic to the troubles of the slaves and understands with much greater lucidity their daily effort to rise above the slight manipulations of those pitiless enough to take advantage of their weak, somewhat raw position.
Du Bois also takes mammoth delight in his race and doesn’t waver to allocate all of its undertakings and assistance to American humanity with his readers. Given the popular approach of either apathy or hostility towards African Americans at that time in history, The Souls of Black Folk tries to take some significant steps toward earning deference for black America or at least making others conscious of its optim