Segu

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Using specific illustrations from Maryse Conde’s novel Segu, this is an essay that discusses how the coming of Islam to Bambar society affected that people’s traditional, political, social and economic practices as well as challenging the Bambaras’ religious beliefs.
Before the arrival of Islam, Segu and its people, the Bambaras, were extremely different world from what they became under Islamic rule.The Bambaras were proud people with a long history in farming, and the wealthy ones worked with hundreds of slaves and planted millet, cotton and fonio (p. 4).Their currency was cowrie shells and gold dust, and they hadn’t even heard of money, which came with the white man.With the coming of Islam, manufactured goods from Europe and North Africa were making their way into Bambara households (p. 324).Conde described it: “It was not unusual to see well-born young men in boots bought from some trader.Many families had silver dishes in their huts, and the Mansa proudly displayed to his friends a service of fine Chinese porcelain that he never actually used.”Fetishists, they turned to all manner of objects and all manner of gods to assure their good fortune.For example, Dousika used a tooth twig to increase his physical strength and sexual potency (p. 3).As Sira gave birth, Nya ordered plants be burned to drive away the evil spirts and help the milk come (p. 11).
Much of life was extremely magical, as evidenced in the way Tiekoro reacted when hefirst saw a man write with a pencil.The animist world of Segu was rocked when the Muslim religion took over.Segu was steeped in the traditions of story telling and the griot’s song was the way the society passed on its news and traditions.The Muslim religion looks down orality, while the spoken word has its mythology in Baharan culture.As Cilas Kemedijo explains in The Curse of Writing: Genealogical Strata of a Disillusion: Orality, Islam-writing, and Identities in the State…

Segu

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In the novel Segu, By Maryse Conde, the Islamic religion and culture is very heavily infused within the existing animistic culture of the Bambaras in Segu.The characters are vastly changed because of this infusion, which leads to the development of a whole new culture.The author depicts this new culture because of her personal feelings on the existence of “Africans” in areas around the world.Her position on the blending of numerous cultural identities is that the people within them must accept all of them, not just one.
From the beginning of the story, the Islamic religion penetrates itself into the existing culture in the Segu Empire.The traditional religion was one in which there are many gods and spirits that control the lives and destinies of mortal humans.Fetishism was also commonplace in the culture, in the sense that people decorate themselves with various objects in order to please their gods and to maintain a good future for them, as in the case with Nya offering an egg to the family boli to promote peace and a good life for the newborn.Magic was also a staple in Bambara culture, with the existence of soothsayers and fetish priests, who used magical powers to predict the future.Islamic religionfirst showed its “face” in Segu by the presence of their way of dressing and the eastern goods that existed within the city limits.Merchants also inhabited the city, which instilled a more capitalistic presence in Segu.The mosque was also a display of the presence of Islam within Segu.
The character that was the most affected by the presence of Islam was Tiekoro, who easily embraced the religion.Curiosity of something out of the norm was what drew him to the mosque, where he learned of the written word, which was completely opposite of the oral tradition which was existed in Segu.Tiekoro’s passion for non-conformity is what brought him into Islam.He liked the fact that in Islam, there was more a more tangibl…