Othello

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In the play Othello, the villan Iago forms a plan to cause the downfall of Leutenet Michael Cassio and the Moor Othello. Each of these characters has vulnerabilities and traits that make them ripe for Iago’s plan of destruction. Iago finds these weakness and uses them to his advantage
The character of Michael Cassio is easily manipulated. He is very involved with his work as lieutenant in Othello’s army. He also continues to see the good in people even when they do him wrong. He continues to stay loyal to Othello, even after his is publicly humiliated and stripped of his duties by the Moor. “Thy honesty and love doh mince this matter, Making it light to Cassio. Cassio, I love thee, But nevermore be officer of mine.”
Othello the Moor, is a very trusting person, and this makes him vulnerable. His involvement with Desdemona translates into a deeper trust with heart. Being older than Desdemona, Othello has fears that she will find a younger man who is more attractive than Othello. This makes him very vulnerable and open to Iago’s plan. When Iago creates rumors of Desdemona’s involvement with Cassio, Othello’, being already insecure with himself falls deep into Iago’s trap.
Besides the fact that he is older than his wife, Othello also has insecurities about his race. He is a black man who is not representative of the people he’s defending. He lives among white men who are constantly making judgements about his race and how it affects his work. “And she, in spite of nature, of years, of country, of credit, everything, to fall in love with what she feared to look on! It is a judgement maimed and most imperfect that will confess perfection so could err against all rules of nature, and must be driven to find out practices of cunning hell why this should be. I therefore vouch again that will some mixtures powerful o’er the blood, or with some dram conjured to this effect, he wrought upon her.” He is very conscious and involved with his i…

othello

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Tragedies frequently focus on a tragic hero that has a flaw that ultimately leads to his downfall. That flaw is commonly referred to as a tragic flaw that is inborn to the person and can reflect his background. In Aristotle’s Poetics, he discusses the theory of tragedy and what criteria is essential in an ideal tragedy. According to Aristotle, the tragic flaw is the most important part of the hero and the events that occur in the work is a reflection of that flaw. A tragic flaw is essential in a true tragedy. In William Shakespeare’s Othello, Othello is a prime example of an Aristotelian tragic hero. His gullibility and jealousy are the main reason of his downfall. Othello deals with love lost because of gullibility and jealousy. Aristotle’s theory of tragedy, found in the Poetics, deals with the characteristics of plays that make them a true tragedy. Those characteristics are essential in giving a play its true definition. According to Aristotle, the life and soul of tragedy is plot. Incidents in the plot have the best effect if they occur unexpectedly, and in consequence of one another. A great tragedy grips the audience with the plot. Aristotle also states that the sense of the inevitable must be present in tragedy. The tragic hero is also another important factor in an Aristotelian tragedy. The central character must be noble and have a higher stature than most men. The tragic hero must also have better qualities than secondary characters but must also exhibit flaws. The most important part of an Aristotelian tragic hero is the tragic flaw. The flaw is inborn to the person. He must have that flaw throughout his life and it will play the primary role in his downfall. The flaw can also reflect the tragic hero’s background. Another part of the central character is that he is destroyed by himself, not by others, bad luck, or depravity. These are the criteria necessary to be classified as a ideal tragedy. Othello meets the criteria to b…