the use of violet by monet

"They (the impressionists) have tried to render the walk, the movement, the tremor, the intermingling of passersby……and the vibration of air inundated with light, and just as in the case of the rainbow colourings of the solar rays, they have been able to capture the soft ambiance of a grey day."Indeed the impressionists did focus on the ability to capture an event and much attention was given to the way in which the light constituted the scene. So much so that this investigation into painting light drew to it much controversy in all aspects of the work, one particular aspect of the works that was given a lot of criticism was the fond use of violet and blue hues. The understanding of the impressionist taste for these hues, and the critics dislike in impressionists use is found in understanding the artistic and social climate of the time, by which we shall find that much has to do with the science of colour and perception.
Thefirst impressionist exhibition of 1874 is a signpost for the changing ways in which paintings were being bought and sold. The tradition of the salon shows dominance was now being challenged, as the artists found dismay both in the selection process and the overcrowded nature of the display.The artists struggle to gain selection into the salon was made more difficult by the lack of evolution in the style of the selected works, the tradition of the highly polished workman that left no trace of where they had been was the usual choice. These strict definitions of what was acceptable led to thefirst impressionists being met with much disgust by the critics and general public of the time. Why, was the word on every body's lips, why did they paint like this? Why did they exhibit what looked much like sketches or studies? Why did they use these colours? It is when we try to answer these questions that we find that much of what the impressionists were trying to achieve was to be found in the sci…