Giotta, 1312: Madonna Enthroned (1st. Painting)
Francisco Goya:May 3, 1808 in the Padro, Madrid
I found the Giotta, Madonna Enthroned painting to be the most interesting because the power and love the painting displays.
The personal values in this particular painting, such as the colors caught my eye because; the colors in this painting are almost bronzed. To me bronzed shows heroism. A very rich colored painting with the golden brown colors mixed with some blues and deeper browns, and just a touch of red gives this particular painting character. It also shows how old this painting is. Another way color works in this painting is the dark, bold, black gown that is being worn on “Madonna” stands out and shows power as a mother.
The child on her lap in this painting has a bold face stare just as the mom does. Showing how serious and disciplined it was in those times between mother and child. The prophets in the painting are surrounding the mother and child and looking up at the two prophets holding crowns. They seem to almost be looking up in prayer. There are two angels kneeling at the bottom of the throne. The angels show how holy and sacred the mother and child are together. The angels are protecting and watching over. I see equality in this painting and I also see prestige and honor.
The subject matter or furnishings of this painting by “Giotto, Madonna Enthroned”, is “here”, rather than “hereafter.” Showing prayer and authority with the crowns and the baby on their lap, these particular paintings subject matter is one of holy and sacred closeness.
The content or meaning created by the relationship between form and subject matter is clearly Christian. Religious feeling is not as strong in this one painting, as it is in two others in the book, by Cimabue and Coppo. It is almost as though the mother in the painting, Madonna, shows independence by the look on her face and the stare i


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