Pablo Picasso

Cubism, which began very shortly after Fauvism, is
exemplified by Pablo Picasso.In this movement the flattened
space including background and foreground are related in a new
and more abrupt manner.Thefirst effect is of a camera in
motion, a kaleidoscopic impression of the solid portions of the
figure.This certain feature can be contrasted to the
impressionist movements’ works.Added to this kaleidoscopic
quality is another new element.Picasso and his Cubist
colleagues disintegrated the form into a series of simultaneously
viewed but different aspects of the same subject.A cubist
painter, to achieve a greater understanding, walked about the
subject, observing it from significant various angles and
recording them as his impressions of form.But this procedure
led to actual destruction of form and its reduction to a series
of decorative elements. Negro art and sculpture had a profound
effect and it was quite extensively used by Picasso.Negro
sculpture approved his subject in a more conceptual way than a
naturalistic depiction, mostly by a western view.This resulted
in forms that were more abstract and stylized and in a sense more
symbolic.Picasso held the view that it was art that held the
key to the young twentieth century painters to liberate
themselves and was more representational and anti-naturalistic.
The rational, geometric breakdown of the human head and body
provided Picasso re-appraisal of his subjects.This style gave
birth to the next phase of development, known as synthetic
Cubism.Georges Barque was major contributor to this style, in
which he joined bits of real wallpaper, playing cards, tobacco
package labels and other materials.These were selected not to
form impact but for decorative and compositional-making.In this
form, the Cubists were more concerned with textural and
decorative values.Cubism was…


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