Bowling for Columbine

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Michael Moore has created some of this century's most provocative films, including Roger & Me, The Big One, and Bowling for Columbine.These three films hold one thing in common: They are all non-fiction.If they were to be labeled into one genre, or if one were to search for them in a video store,'documentary' commonly associated with these films.Moore's most recent film, Bowling for Columbine, won the Best Documentary Oscar at the 2003 Academy Awards.But what exactly is a documentary, and should Moore's work be classified in such a genre?
Webster's Dictionary defines a documentary as "a film or TV program presenting the facts about a person or event."Moore does in fact present facts in his film, including interviews with various people, most notably, Charlton Heston.Additionally, he leads us along his journey throughout the country (and Canada) to find out why America is so obsessed with guns.The facts Moore presents certainly do have a liberal spin on them, but that does not mean that his work is not a documentary.
Some have argued that documentaries must present an objective opinion about a subject.This is impossible.The Italian Neo-realists tried to create a "real cinema" in the early 1930s and failed.The reason was simple: The camera always chooses to focus on something within the frame, therefore limiting the viewer's options – not very realistic.Moore does much of the same.He uses his art as a persuasion.He never admits to presenting an objective view, nor should he be required to.Film, documentary or otherwise, is left to the sole discretion of the artist.Moore's work is in fact a documentary because it presents facts of a non-fiction story (not like a non-fiction dramatization, such as Patton).Although it may conceal some facts as well, it is not the obligation of a documentary to present things in an objective manner such as…

Bowling for Columbine

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The documentary, "Bowling for Columbine" by Mike Moore has been one of the most controversial documentary's in the past few years. There are some good reasons for this. The central issue, whether America has a gun problem is largely conveyed to the viewer by the way it is presented. However, the main issue Moore is trying to present can still clearly be understood, but by making it entertaining it helps to keep the audience to convey his message.
The key issue in the film that Moore tries to convey to the viewer is that there is a gun problem in America. Moore enters a bank which gives a free gun to anyone who opens an account in it. He uses a follow camera when entering the bank to entertain the viewer and make it feel real to the audience watching. To prove his point how easy it is to get a free gun Moore opens and account and gets one. He asks one of the staff members at the bank "don't you think it's a little dangerous to hand out free guns at a bank?"The way he uses the question in the film raises thoughts in your own head. I thought myself as a viewer that – couldn't they use the gun to hold up the bank? Moore then walks out the bank with the gun over his shoulder and then raises it with one hand at the camera. This is seen to be funny but at the same time makes you realise if he can do that anyone can, even a gun nut. Clearly in this section of the documentary it is clear that Moore has used the bank to convey his issue that guns are a problem in America and the way he does it helps to do this.
In the documentary a 5 minute cartoon is shown that gives a brief overview of American history and how they used guns in every step of the way to feel safe. The cartoon is shot in a "South Park" like manner with all characters given higher than usual voices and maybe at times over the top lines to convey Moore's message like when an American s